Bookshelf

Books are linked to the publisher’s website, where possible.

#: 8vo: On the outside, Hamish Muir, Mark Holt
A: A *New* Program for Graphic Design, David Reinfurt; A Dictionary of Color Combinations, Sanzo Wada; A Fortunate Man, John Berger, Jean Mohr; A Primer of Visual Literacy, Doris A. Dondis; A Year with Swollen Appendices, Brian Eno; About Graphic Design, Richard Hollis; Adrian Henri: Total Artist, Catherine Marcangeli; Alison Turnbull: Sea the Stars; All information correct at the time of going to press, Stuart Bailey, Daniel Eatock; Alphabets, Wim Crouwel; Alpine Spoilers, Kate Morrell; Anthony Froshaug: Typography & texts / Documents of a life, Robin Kinross; Archizines, Elias Redstone; Artists’ Cocktails, Ryan Gander; Autoprogettazione?, Enzo Mari
B: Bart Simpson’s Guide to Life; Boooook: The Life and Work of Bob Cobbing, William Cobbing, Rosie Cooper; Born in Flames, Kaisa Lassinaro; Bricks from the Kiln #1, Matthew Stuart, Andrew Lister; Bricks from the Kiln #2, Matthew Stuart, Andrew Lister; British Rail Corporate Identity Manual; Build: Blood, Sweat & 11 Years, Michael C. Place
C: Center for Advanced Visual Studies, David Reinfurt; Colors, Antonio Ladrillo; Control #18, Stephen Willats; Copy This Book: An artist’s guide to copyright, Eric Schrijver
D: Dear Lulu, Hochschule Darmstadt / Practise; Design as Art, Bruno Munari; Design for the Real World, Victor Papanek; Designing books: practice and theory, Jost Hochuli; Designing Programmes, Karl Gerstner; Designing Type, Karen Cheng; Designing Universal Knowledge (The World as Flatland – Report 1), Gerlinde Schuller; Detail in Typography, Jost Hochuli; Die Kunst der Typographie, Paul Renner; Dot Dot Dot 8, Stuart Bailey, Peter Biľak; Dot Dot Dot 9, Stuart Bailey, Peter Biľak; Dot Dot Dot 10, Stuart Bailey, David Reinfurt; Dot Dot Dot 12, Stuart Bailey, David Reinfurt; Dot Dot Dot 13, Stuart Bailey, David Reinfurt; Dot Dot Dot 14, Stuart Bailey, David Reinfurt; Dot Dot Dot 15, Stuart Bailey, David Reinfurt; Dot Dot Dot 16, Stuart Bailey, David Reinfurt; Dot Dot Dot 17, Stuart Bailey, David Reinfurt; Dot Dot Dot 18, Stuart Bailey, David Reinfurt; Dot Dot Dot 20, Stuart Bailey, David Reinfurt; Dressed in Black: Spektrum and Lothar Reher, Adrien Vasquez, Wayne Daly
E: Edges of the Experiment: The Making of the American Landscape, Marie-José Jongerius; Ellen Altfest: Painting Close-Up, Anthony Spira; Encyclopaedia of typefaces, Jaspert, Berry and Johnson; Extended Caption (DDDG), Stuart Bailey
F: Folk Archive, Jeremy Deller; Footnotes issue A; Form+code in design, art, and architecture, Casey Reas, Chandler McWilliams, LUST; Forms of Inquiry Annex, Zak Kyes, Capucine Perrot; Forms of Inquiry Reading Room, Zak Kyes, Mark Owens; Forms of Inquiry: The Architecture of Critical Graphic Design, Zak Kyes, Mark Owens
G: Good Services: How to design services that work, Lou Downe; Graphic #9: Werkplaats Typografie Special Issue; Graphic #37: Introduction to Computation; Graphic Design in America, Phil Freshman, Mildred Friedman; Graphic Design: A Concise History, Richard Hollis; Graphic Design: History in the Writing (1983–2011), Sara De Bondt, Catherine de Smet; Graphic Design: Now in Production, Ellen Lupton, Andrew Blauvelt; Graphic Thought Facility, Zoë Ryan; Grid systems in graphic design, Josef Müller-Brockmann; Grid Systems: Principles of Organizing Type, Kimberly Elam
H: Heaven is Real: John Maus and the Truth of Pop, Adam Harper; Helvetica: Homage to a Typeface, Lars Müller; Henry van de Velde: The Artist as Designer, Richard Hollis; How to be a graphic designer without losing your soul, Adrian Shaughnessy
I: Imprint, Daniel Eatock; In Alphabetical Order, Stuart Bailey; Inside Paragraphs: Typographic Fundamentals, Cyrus Highsmith
J: Jan Tschichold: a life in typography, Ruari McLean; John Baldessari: Pure Beauty, Leslie Jones, Jessica Morgan
K: Karel Martens: Motion, Chris Fitzpatrick
L: Le Théâtre Graphique, Sarah Boris; Learning from Las Vegas, Steven Izenour, Denise Scott Brown, Robert Venturi; Letraset: Graphic Design Handbook
M: Materials, Process, Print, Daniel Mason; Max Bill: Form, Function, Beauty = Gestalt, Max Bill; Maximage Formula Guide: Special Colors for Offset Printing, Maximage; Models & Constructs, Norman Potter; Modern typography, Robin Kinross; Monty Python’s Big Red Book, Monty Python; Multiple Signatures, Michael Rock; Muriel Cooper, Robert Wiesenberger, David Reinfurt; Museum Pictorial, Kate Morrell; My Grandfather’s Tree, Max Lamb; Mythologies, Roland Barthes
N: NO-ISBN: on self-publishing, Agnes Blaha, Leo Findeisen, Bernhard Cella; Nomadic Furniture, James Hennessey, Victor Papanek; Notes from the Cosmic Typewriter: The Life and Work of Dom Sylvester Houédard, Nicola Simpson; Notes on book design, Derek Birsdall
O: One and many mirrors: perspectives on graphic design education, Luke Wood and Brad Haylock; Operating Manual for Spaceship Earth, R. Buckminster Fuller
P: Passion for Print: An Incomplete Glossary of Print Terms; Peter Dreher: Just Painting, Anthony Spira and Kate Bush; Picasso and I, Ryan Gander; Please Come to the Show, David Senior; Post-Digital Print – The Mutation of Publishing since 1894, Alessandro Ludovico; Printed Matter / Drukwerk, Karel Martens; Process: A Tomato Project, Tomato; Publishing Manifestos
R: Rachel Whiteread; Radical Technologies: The Design of Everyday Life, Adam Greenfield; Real Review #1; Real Review #2; Real Review #3; Reprint, Karel Martens; Richard Hollis designs for the Whitechapel, Christopher Wilson; Richard’s Bicycle Book, Richard Ballantine; Road and Rail Links between Sheffield and Manchester, Adam Murray; Rock / Music / Writings, Dan Graham; Roger Ackling: Between the Lines, Emma Kalkhoven
S: Seeing Things: Collected Writing on Art, Craft and Design, Alison Britton; Seven Hundred Penguins; Seventy-nine Short Essays on Design, Michael Bierut; Shoplifters #8: New Type Design, Actual Source; Shoplifters #9: DRAWINGS, Actual Source; Solution 11-167: The Book of Scotlands, Momus; Someday is Now: The Art of Corita Kent, Ian Berry, Michael Duncan; SPAN: Conversations on Design & Technology, Rob Giampietro, Amber Bravo; Spin/2: 50 Reading Lists; Statement and Counter-Statement: Notes on Experimental Jetset, Experimental Jetset; Studio Culture Now (2020), Mark Sinclair; Studio Culture: The secret life of the graphic design studio, Adrian Shaughnessy; Sugar in the Air, E. C. Large; Super Normal: Sensations of the Ordinary, Naoto Fukasawa
T: The Art of Looking Sideways, Alan Fletcher; The Artist by Himself: Self-portrait drawings from youth to old age, Joan Kinneir; The Craftsman, Richard Sennett; The Elements of Typographic Style, Robert Bringhurst; The Form of the Book Book, Fraser Muggeridge, Sara De Bondt; The Medium is the Massage, Marshall McLuhan; The Natural Enemies of Books: A Messy History of Women in Printing and Typography, MMS; The Portable John Latham, Antony Hudek, Athanasios Velios; The Puffin Book of Lettering, Tom Gourdie; The Stroke: theory of writing, Gerrit Noordzij; The Thames and Hudson Manual of Typography, Ruari McLean; The World of Charles and Ray Eames, Catherine Ince; Thinking with Type, Ellen Lupton; Type Now, Fred Smeijers; Typographica, Rick Poynor; Typography papers #8: Modern typography in Britain: graphic design, politics, and society; Typography: A Very Short Introduction, Paul Luna
U: Uncorporate Identity, Metahaven; Unjustified texts, Robin Kinross
W: Ways of Hearing, Damon Krukowski; Ways of Seeing, John Berger; Ways of Working, Richard Hollis, Stuart Bertolotti-Bailey; What is a designer: things, places, messages, Norman Potter; WIELS: The birth of a visual identity, Sara De Bondt; Willem Sandberg: Portrait of an Artist, Ank Leeuw Marcar; Wonder Years: Werkplaats Typografie, Lisette Smits